The capture transforms the joy into its inverse one. It is as to think the feelings of passion and love. The passion is a extrapolamento and the love, the containment. Not that the passion either joy and a love either sadness. But the first feeling is lived deeply as a dream (and we are as the ones that dreams) as in the wait (' ' everything suffers, everything believes, all wait, everything suporta' ' – I Corntios13).
In ' ' The return of the bird encantado' ' it prints the cure. this cure proceeds to the sensible lack of the girl who if absented in the search of the cure for the bird, now disenchanted. for a few seconds of freedom, the bird unglues the look of itself exactly and is launched in the search of the girl who lacks to it. Then handle flight already cured. Meanwhile, the girl who searchs the cure for the other, same cure it itself. The bird as wounded custodian indicate the way of the cure for the girl who, nor wise person whom it needed cure.
Reflecting counted history in the relation terapeutIpaciente, I identify the position of the two personages as wounded and custodians concomitantly. Ahead of the capture of the bird, the girl searchs the cure for it. he himself indicates the way, alerting it on the wings, that the girl also possesss. You bake being them, a freedom symbol. Then, in the search for the cure, the proper girl knows new places and personages. The therapist is the bird and the girl. The bird that, wounded, indicates the cure, the girl who searchs the cure for the other and finds its proper cure. Lucinias Luchi – Psychologist, CRP 16-327 References ALVES, Rubem. The girl and the magic bird. So Paulo: Loyola, 1995 ALVES, Rubem. The return of the magic bird. So Paulo: Paulus, 1989 Bible of Thompson reference: publishing company Life RABBIT, Pablo. The lake and Narcissus. In: Magazine GAC, Periodical the Gazette? 19I12I2010